Citizen Journalism, Citizen Artistry

Last Friday was my birthday (hooray, another year older!) and as I move more into the world of journalism with the aim of hopefully doing a postgraduate course in it next academic year, I asked for a couple of books on the subject. One of those was We the Media: Grassroots Journalism By the People, For the People by Dan Gillmor. First printed in 2004, with the paperback edition that I now own printed in 2006, it’s a little out of date for the fast-moving world of information technology, but is still held in extremely high regard, and I think it’ll be a worthwhile read. It was also written with a rather different audience to myself in mind: one for whom the idea of receiving real-time journalistic updates from inside a press conference or significant world event would be a revelation; who would find the idea that ordinary people might have a voice and views of importance equal to that of designated newsmakers to be controversial; and to whom the Internet must seem like a chaotic, volatile upstart muscling in on the orderly, established world of media.

I grew up on the Internet, and its language and ways are second nature to me. The journalism I’m most familiar with is not heavily-regulated and polished ‘Big Media’ but ever-fluctuating, ever-evolving online journalism, which is not a lecture but a conversation, and one in which the people play a part as important as that of the newsmakers. Online, news breaks first via the people, and newsmakers have to listen to them to find out what’s going on, instead of the other way around.

#ao3million and #fandompocalypse: The Fandom Stars Have Aligned

February 15, 2014: truly a day for the fandom history books. Why? Because by pure serendipity, two milestone events for the fandom community have collided on the exact same day. One is “Fandompocalypse Day”, an movement to unite fans of disparate fandoms in a joint show of pride and unity; the other is the user-oriented, not-for-profit multimedia fanworks site Archive Of Our Own reaching one million published works.

Both events celebrate the diverse and unifying nature of fandom in different ways: Fandompocalypse aims to bring the fandom movement offline with a visual display of fandom support in day-to-day life, while the “ao3million” celebrations are purely online, based around graphics, Twitter hashtags and uploading new fanworks to the site. Nevertheless, the spirit of enjoyment and sharing the fandom love is exactly the same.